But due to the limitations that came with film stock, it was broken up into segments, and the cuts were hidden behind furniture or whip pans. One of the earliest examples of this film-making technique is “Rope,” where Alfred Hitchcock intended to make a film without any cuts. We’re also not talking about films that were actually done in one long take, e.g., “Victoria,” “ Boiling Point,” and “Iravin Nizhal.” We’re talking about faux one-shot feature films. We’re not talking about traditionally edited films that have one or more, actual or fake, continuous takes. So, the movie’s big gimmick is that it’s made to look like a one-shot feature film. On top of that, he has an audio device that only he can hear, which is directing him throughout his mission. Parts of his body are weaponized to kill him and those who try to nab him. Yes, Carter doesn’t have any memory of who he is. And it is up to Carter (Joo Won) to conduct a rescue mission, which doubles as a search for the cure for this pandemic, and bring a girl called Jung Ha-na (Kim Bo-min) to the voice in his head. In the movie’s fictional reality, North Korea and the United States have already been devastated by this virus. Because it takes two months into a deadly pandemic originating from the Korean Demilitarized Zone, where the virus is turning its victims into feral, bald monsters. Directed and co-written by Jung Byung-gil, along with co-writer Jung Byeong-sik, “Carter” is technically a zombie film.
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